Saturday, June 17, 2017

Yogi Berra still fresh on the mind of David Cone at cancer fundraiser

How George Shuba inspired beyond his famous handshake with Jackie Robinson

George Shuba gave many congratulatory handshakes in his days as a major league ballplayer with the Brooklyn Dodgers, but his most famous one was captured during Jackie Robinson’s first game in the minor leagues on April 18, 1946. The hard-hitting outfielder who earned the nickname “Shotgun,” passed away at his home in Youngstown, Ohio on Monday. He was 89.

George Shuba / Topps

Shuba played seven seasons with Brooklyn, appearing in three World Series including their 1955 victory over the New York Yankees, but his most famous moment was immortalized in a national photograph of Shuba shaking Robinson’s hand after his first home run in the minor leagues. The moment was later dubbed, “A Handshake for the Century.”

Manager Clay Hopper, who had Shuba the year prior in Mobile, installed him into the third slot of the batting order right behind Robinson. Shuba’s ability to hit the ball to the right side of the infield influenced his manager’s decision for Robinson’s debut in Jersey City.

“He put me in the third slot which is a very important slot because I was a pull hitter,” Shuba told me during a 2008 interview in New Jersey. “If someone was on first base, I had the big hole. He knew I made contact, so that's why I was lucky to be in that slot.”

His place in the order set the stage for history when Robinson deposited the ball over the left-field wall in the third inning. As Robinson rounded the bases, Shuba waited to greet him with an outstretched hand.

“When Jackie hit his home run,” he said, “I came to home plate and shook his hand.”

Over sixty years later, Shuba put the event in its proper context. A friendly gesture that any teammate wouldn’t think twice about extending turned out to be a significant part of Robinson’s assimilation into the previously all-white professional leagues.

“I realize now it was actually a historical event,” he said. “Being fortunate to have Jackie, it didn't make any difference to me if he was black or Technicolor. As professional ballplayers, we are focused to beat the other team and if Jackie helps us to beat the other team, he's with us 100%. Truth be said, he was the best ballplayer on the club.”

Shuba joined his good friend on the Dodgers in 1948, one season after Robinson broke the color barrier in the major leagues. He served mostly as a reserve outfielder, playing behind Duke Snider, Carl Furillo, and Andy Pafko. He carved his niche as a pinch hitter, a role that paid dividends during the 1953 World Series against the New York Yankees when Dodgers manager Charlie Dressen sent him to pinch-hit against Allie Reynolds.

“We got behind a few runs,” he said. “So now Charlie Dressen decided to use me early with a couple of me on base. I was ready to pinch-hit; [I was] never nervous. When I went up to pinch hit, I felt the pitcher was in trouble, not me.

"When I stepped in the batter’s box, the shadows were in between me and the pitcher. It was all day ball; the ball would come out of the sun into the shade. I turned around to get some dirt on my hand and Yogi Berra said, 'Hey Shuba, it's kinda tough seeing up here, isn't it?’ I said, 'Don't bother me, Yogi, I've gotta get a base hit.’ Reynolds threw me a fastball on the outside corner with two strikes on me and I hit a line drive over the right-field fence 355 feet away.”

Roger Kahn featured Shuba in the epic “The Boys of Summer” which followed up with the post-playing careers of many seminal Brooklyn Dodgers. He was honored to be a part of Kahn’s historical work.

“He covered each one of us at our homes,” he said. “I was very fortunate to be on that book because I had my best year in 1952 when Roger came up. We were in our early 40s when he visited us and he saw some people that might have been having tragedies in their families. I was fortunate I had just recently married. It was more than about baseball.”

The man who Bill Bingham of the Mobile Press nicknamed “Shotgun” in 1945 for the sound of his wicked line drives, used his powerful hands for a different cause when he penned his 2007 autobiography, “My Memories as a Brooklyn Dodger” with Ohio author Greg Gulas. It was an effort that he initially intended to be an oral history of his career for his family keepsakes that blossomed into a fully fledged book.

“I started out writing for my family only,” he said. “A friend of mine Greg Gulas, I asked him to be the author. He was the Sports Information Director for Youngstown State and also wrote for the Vindicator. … It covers a vast spectrum of my career as a minor and major leaguer.”

Reflecting on a career that started after being signed by the Dodgers from a tryout camp in Youngstown in 1943, Shuba shared the following words of advice in 2008 hoping to inspire the younger generation to strive towards success both on and off the field.

“Competition is good for people,” he said. “If they succeed, it gives them confidence. After they’re playing days are over, it can help them make the transfer to the regular life. … I would tell the kids to dream. The saying is, 'Dreams plus dreams equals dreams. Dreams plus action equals success.’ I was fortunate that my dreams came true. I lived my dreams and I am forever grateful for that.”


* - This was originally published September 30, 2014 for Examiner.com

Les Layton, 92, homered in his first major league at-bat

Getting to the major leagues is a dream for most young men; hitting a home run in their first time at bat is an even greater fantasy. Les Layton, a former outfielder for the New York Giants who made both of those scenarios a reality in his 1948 debut, passed away March 1, 2014 in Scottsdale, Ariz. He was 92.

Les Layton, Jess Dobernic and Gene Baker at home plate during Hollywood Stars vs Los Angeles Angels game, 1950
Collection: Los Angeles Times Photographic Archives
Layton was eager to contribute to the Giants in his 1948 rookie campaign, but manager Mel Ott only used Layton once within the first month of the season, filling in as a pinch runner during an early season game in Boston.

“I had a hard time,” Layton said in a 2008 interview with the author. “The Giants had so many outfielders. Bobby Thomson was coming on; Sid Gordon was there as was Willard Marshall.”

Twenty-five games into the season, on May 21, 1948, Ott finally summoned Layton to the plate as a pinch-hitter in the 9th inning against Chicago Cubs left-hander Johnny Schmitz.

“I can remember it now,” he said. “They told me to grab a bat, get up there, and hit one, and I did! It went on top of the roof in the Polo Grounds in left field.”

As Layton quickly circled the bases, he expected a hero’s welcome from his teammates. When he returned to the bench, the silence was deafening.

“I came back in the dugout and nobody said a word,” he said. “They didn't say, 'Nice going,' or anything, and then suddenly they all broke out in rapture.”

At the time he was only the 15th player in the National League to ever hit a home run in his first major league at-bat.

His role as a pinch-hitter produced another statistical oddity. His first four major league hits went for the cycle, all happening in four different parks. Layton’s first four career hits in order were a home run (New York), a triple (Cincinnati), a double (Pittsburgh) and a single (Chicago).

By the end of June, Layton was batting .350 strictly as a pinch-hitter, and Mel Ott finally inserted him into the starting lineup after Thomson and Whitey Lockman suffered minor injuries. He started eight games in a row at the beginning of July, going 10-33, which also included his second (and last) major league home run. Once the starters returned to full strength, Layton was relegated to pinch-hitting duties for the remainder of the year.

“Mel Ott called me aside later on when he was managing in the Coast League and apologized for not being able to play me so much,” he said. “The old timers that were making the money were the ones that had to play.”

Layton finished 1948 with a .231 batting average in 91 at-bats. With the emergence of Don Mueller and the arrival of Monte Irvin in 1949, there was no place for Layton on the Giants roster.

The Giants sold him to the Cubs, who sent him to Los Angeles in the Pacific Coast League. It was the best experience of Layton’s career.

“I spent three years in the Coast League with Los Angeles,” he said. “I enjoyed that more than anything else. I got to play every day."

Layton stayed in the minor leagues through 1954, serving as a player-manager for the Wichita Indians his last season.

After leaving professional baseball, he went to work for Boeing for 18 years as a production engineer, a trade he studied while at the University of Oklahoma. While at Boeing, he played for their semi-pro baseball team, the Boeing Bombers. He helped to lead them to a championship at the prestigious National Baseball Congress tournament in 1955.

The World War II veteran retired to Scottsdale with his wife Barbara. When I caught up with Layton in February 2008, he was trying to move forward from her death a few months earlier.

“I lost my wife in December and it’s pretty lonely out here,” he said. “We were married 62 years. I'm not a pretty good cook. I'm learning. You miss having her around, somebody to talk to. It's a whole different ballgame.”


2017 Topps Archives weathers a storm of controversy to shine for collectors

Imagine opening a pack of baseball cards and pulling mint specimens of Hank Aaron, Aaron Judge, and Mike Trout one after another. While this sounds like a fantasy lineup, 2017 Topps Archives provides a wonderful array of fresh faces mixed in with veterans and legends in the design of vintage Topps cards from yesteryear.


Focusing on the themes of the 1960, 1982, and 1992 sets, this year’s Topps Archives set is one of the most exciting and controversial releases to hit the market this season. While collectors are attracted to seeing their heroes fixed on classic Topps motifs, much attention has been given to who Topps chose to be signers for their Fan Favorites autograph insert cards.

Baseball chaser Zack Hample, who gained notoriety for catching Alex Rodriguez’s 3,000th hit, was nabbed by Topps to be part of the series, which includes other debated aficionados such as Skip Bayless and Bald Vinny. Once fans got wind of his appearance in the set, they reacted with disdain to the possibility of landing his card as one of the two guaranteed autographs in each box. Some even resorted to having bids on ways to destroy the card with the proceeds going to charity.






Fortunately, the box provided for this review yielded spectacular autographs of Hall of Famer Tommy Lasorda and Kansas City Royals star Kevin Seitzer. These cards are crisp in the both their styles and signatures.





Going past the base set, the 1959 Bazooka Gum and 1960 Rookie Card designs have tremendous eye appeal that further an even greater reason to pursue Topps Archives. While on their chase, consumers will also find a career retrospective to Derek Jeter as another way to get on the bandwagon.



Despite the chatter surrounding the desirability of a few of Topps’ choices on autographs, collectors have found excitement in seeing the tremendous history of past and present stars distributed in classic Topps styles. With the opportunity to pull a future Hall of Famer alongside one already enshrined in Cooperstown, it makes 2017 Topps Archives a release that can weather all seasons.

Monday, June 5, 2017

Teammates tout Jimmy Piersall's transcendental outfield abilities

“The catches Piersall makes simply defy description. They have to be seen to be believed and he keeps making them,” Lou Boudreau.
Those who watched Jimmy Piersall patrol the outfield for the Boston Red Sox in the 1950s, placed his name above lauded fly chasers such Tris Speaker, Terry Moore, Joe DiMaggio, and yes, Willie Mays. The daring depths at which he played allowed for Piersall to make miraculous catches that were deemed impossible by everyone in the ballpark, except himself.

While his legendary defensive efforts were overshadowed by his struggles with his mental health and unpredictable on field behavior, there was no denying that Piersall’s glove was where many sure hits in the expansive ballparks of his era went to rest. Sadly, on Sunday June 3rd, 2017, Piersall too met his final resting place in Wheaton, Illinois. He was 87.

Piersall was signed by the Red Sox in 1948, and immediately made an impact for their Class A team in Scranton, Pennsylvania. Usually most rookies fresh out of high school were sent to lower classifications, but one Scranton teammate saw why Boston put him on the fast track to the major leagues.

“Jim joined us about 30 days late in 1948,” teammate Harley Hisner recalled in 2008. “He was in high school and his team was in the high school finals. They signed him and sent him to Scranton. He was only 18 years old, but he was the best curve ball hitter I’d ever seen that young.”

The oddly shaped outfields of minor league parks gave Piersall the room he needed to show off his spectacular defensive abilities. After spending three seasons with Piersall in Scranton and Louisville, Hisner held him in higher esteem than his famous New York contemporaries.

“As far as I am concerned there was nobody that can go get a ball better than him, including Mickey Mantle and Willie Mays," Hisner said. "He had a sense of where that ball was going; as soon as it was hit, he was off and running. I’d take him any day.”

When the Red Sox finally brought Piersall up for good in 1952 after a quick look in 1950, manager Lou Boudreau envisioned Piersall’s athleticism serving him best at short stop. The toll that the demands of learning a new position wore heavily on Piersall, which led in part to his well publicized nervous breakdown.

Ted Lepcio was one of Boston’s fresh faced infielders in 1952 and was quickly paired with Piersall as their double play combination of the future. He found Piersall conflicted by playing a position that he had little familiarity with in order to meet management’s demands.

“He was supposed to help me out,” the 87-year-old Lepcio said via telephone from his home in Needham, Massachusetts shortly after Piersall’s passing. “Imagine that, a center fielder going to help me out! That was a joke. He told me personally that he didn’t want to do it, but what are you going to do when you are a young kid and the guy says you’re going to play a position. He knew he wasn’t in the right position.”

Piersall, Lepcio, Boudreau and Dick Brodowski / Boston Public Library
Piersall's recovery was well documented in his autobiography, "Fear Strikes Out," which later became a Hollywood movie with Anthony Perkins. Lepcio was Piersall’s roommate and the two developed a close relationship throughout Piersall’s struggles. When Piersall finally returned to the team from being hospitalized, Lepcio’s locker was the first reporters ran to.

“He didn’t go in there for a joke, he was wound tight and finally had to have some help at the time he went in,” Lepcio said. “When he came out, the first thing was the reporters came to me. I said, ‘He was the same Jimmy to me.’ It was kind of meant as a joke, but he improved. We roomed together for almost two years until we had enough of each other.”

Ike DeLock also broke in with Piersall and Lepcio in 1952, serving as a reliever on a veteran pitching staff. He said that Piersall had a fascination with besting Tris Speaker’s record for unassisted double plays by a center fielder. As a young pitcher, he was always worried that Piersall was going to get beat behind him by a fly ball.

“He always wanted to have a double play unassisted,” the 88-year-old Delock said Sunday from his home in Naples, Florida. “I told him, ‘Jimmy, when I’m pitching, you play deep in center field because I don’t want anybody to hit the ball over your head.’”

I had the opportunity to speak with Piersall in 2008 over the phone from his home in Wheaton. He explained how he learned to play such a shallow center field, one that is rarely seen anymore in the major leagues.

“It was 500 feet to centerfield in Louisville, the biggest centerfield in the world,” he said. “Most of the time, I cut it in half. Most balls are hit in front of you, not over your head. Watch how many broken bats go out into left field.”

Piersall’s made his presence known in baseball after he was moved permanently to the outfield in 1953. His knack for the spectacular led author Jason Aronoff in his book, “Going, Going … Caught,” to rate Piersall as the best defensive major league outfielder that year.

“In 1953 Jimmy Piersall had a fielding year which was brilliant from start to finish,” Aronoff said. “He had a number of catches which veteran observers called the greatest they had ever seen.”

While Piersall continued to make plays throughout his career on balls that were foregone as home runs or extra base hits, none came close to his series of thefts in 1953. Fast forward a decade later, Piersall found his way to the New York Mets via the Washington Senators in a trade for Gil Hodges.

While the lowly Mets thought that Piersall could recapture some of his Boston magic, he made noise not for his outstanding play on the field, but his outlandish response after he hit his 100th career home run against the Philadelphia Phillies in the Polo Grounds.

Tim Harkness had just arrived from the Los Angeles Dodgers and had reveled in the presence of his veteran teammates, including the newly arrived Piersall. He noted a conversation in the clubhouse between Piersall and Duke Snider that occurred shortly after Snider hit his 400th career home run.

“Duke hit his 400th home run that summer and Piersall said to him, ‘You know, I’ve got 99, when I hit my 100th, the whole world is gonna hear about it,’” the 79-year-old Harkness recalled from his Ontario home on Sunday.
Piersall goes backwards for 100th home run / Author's Collection
As luck would have it, Harkness was hitting behind Piersall when he hit his infamous home run where he rounded the bases backwards. Harkness was immortalized in the photo, waiting on deck in his number three jersey as Piersall approached the plate. He recounted the event as it unfolded in front of him in the on-deck circle.

“He hit one of those Chinese home runs in the old Polo Grounds,” he said. “He hit it about 285 feet. When he got to first base, he turned around and started running backwards. When he rounded third, I said to myself, ‘Should I kick him in the ass?’ When he came to the plate, I just stood there with the bat just like a statue and just watched him do it. As soon as he touched home plate, the umpire said, “Home run and you’re gone!” He threw him out of the ballgame for making a travesty of the game so to speak.”

Piersall was shortly thereafter released by the New York Mets. He didn’t hold back about his feelings for the organization when asked about the closing ceremonies of Shea Stadium in 2008.

“I don't give a s—t,” he replied.

He finished his 17-year major league career with the Los Angeles and California Angels in 1967. He later was in the spotlight for his controversial comments as a White Sox broadcaster that led to his firing and spawned his book, “The Truth Hurts.”

During our conversation in 2008, Piersall displayed his candor when discussing the prevalent ticket prices at major league stadiums. As both New York teams were moving towards new stadium, he felt that the outrageous prices were driven by the owners.

“Two-hundred-fifty dollar a seat in Yankee Stadium ... the only problem we have are politicians,” he said. “The message never seems to get to those guys. It was $2.50 for the bleachers and $6 for a good seat. Everyone is saying that the players are making too much money, but the owners aren't going bankrupt. ... They could get rid of those 40 guys in the offices that send out postcards. They could cut down on their expense accounts, but it won't happen.”

As we came to the close of our interview, Piersall left me with this gem that was reminiscent of the old school mentality that is long gone from today’s game, as the league has become more conscious of the protecting their on-field product.

“I got drilled one day and I said to the pitcher, ‘If you don't get that guy, I'll drop the ball with the bases loaded.’ I asked the umpires why they're so tough and the owners said they don't want their players getting hurt. Bob Watson said the owners are afraid the good players are going to get hurt. There aren't that many good players; they're decent players.”