For any major league hitter, facing Bob Feller was never an easy task. Armed with a fastball that hovered around 100 miles per hour, Feller made even the most dangerous hitters just another notch in his rising strikeout totals.
Philadelphia Athletics shortstop Al Brancato was barely 19 years old when he first squared off against Feller during 1939 spring training. During a visit to the late Brancato's Upper Darby, Pennsylvania home in 2007, he shared just how difficult it was to hit Feller, who was then a grizzled veteran of three major league seasons at the ripe age of 20.
Bob Feller at the 2009 MLBPAA Dinner / N. Diunte
"With Feller you never knew where the ball was going to be," Brancato recalled. "He hid the ball behind his body and all you saw was a leg and an arm coming. His ball moved a lot and he threw very hard; he had everything. ... The first time I faced him, I was on the bench and Mr. Mack called me to pinch hit. I went up, he threw three balls past me and I’m standing like a statue. You saw a leg, a face, and an arm. ... You didn’t see it until the last minute. He hid the ball and you never saw it until the last moment, and then boom!"
With his hulking figure manning the third base coach’s box, WWE superstar Ryback appeared to be out of place at MCU Park in Brooklyn; however, the current Intercontinental Champion couldn’t have been more at home than on the baseball field. Ryback, aka Ryan Reeves, played baseball in college at the College of Southern Nevada, the alma mater of Washington Nationals star Bryce Harper, before a leg injury derailed any hopes for him following in the family trade.
“That was the first real skill I learned sport wise as a kid growing up coming from a baseball family,” Ryback said at MCU Park.
Ryback at MCU Park / N. Diunte
His baseball lineage is traced to his mother’s side, as both his maternal grandfather and uncle played in the major leagues. His grandfather Ebba St. Claire was a catcher for the Boston Braves in the 1950s, and his uncle Randy St. Claire pitched for five major league teams in nine seasons. Ironically there was a family connection for Ryback at MCU Park, as New York Mets Hall of Famer John Franco who was also in attendance, was his uncle’s teammate in 1988 with the Cincinnati Reds.
Ryback was at the home of the Brooklyn Cyclones as part of MCU’s Second Annual Civil Servant / Celebrity Softball Challenge, which benefited WFAN’s morning radio show host Craig Carton’s Tic Toc Stop Foundation. While fans wanted to see Ryback relive his old glory and swing for the fences, his recovery from a recent injury and preparation for Sunday’s SummerSlam limited him strictly to coaching duties.
“Unfortunately with SummerSlam around the corner, just coming back from a serious staph infection, and having shoulder surgery years ago, Sunday is where my focus is at. Coming out today, showing face, and letting all the kids have a good time out here today is all in the name of a good cause.”
*Note - This piece originally ran in August 2015 on Examiner.com
Consumers have been traditionally willing to trade in tried and true reliability for the newest shiny gadget on the market, whether it is a car, a phone, or a pair of sneakers. Topps hopes that they can capitalize on collectors’ obsessions to scoop up the latest glistening gadget with the release of the 2016 Topps Chrome set.
2016 Topps Chrome / Topps
Adding a premium touch to the 2016 Topps base set design, Chrome takes the this year’s classic release up a notch with an enhanced stock and a condensed 200-card checklist in an attempt to attract customers to the product.
With only four cards per pack, Topps Chrome aims to have the feel of exclusivity; however, that feeling is quickly lost with the myriad of parallels that includes nine different types of base card refractors. Building a set is a challenge, as collectors would have to dig into three boxes of the product to even have a chance at compiling a set. With the price of boxes hovering around $70, going through $200 of product just to have the chance to collate a set seems like a daunting task, leaving collectors to focus on the bigger hits in 2016 Topps Chrome.
Each hobby box boasts two autographs, with the majority consisting of almost 80 different rookie selections, including the likes of Michael Conforto, Aaron Nola, Kenta Maeda, Corey Seager, and Julio Urias. An intriguing pull is the 2015 Carlos Correa Topps Chrome Autograph, which missed the cut from last year’s product. Collectors lucky enough to pull a dual autograph could wind up with one of Bryce Harper and Mike Trout, or Kris Bryant and Kyle Schwarber.
While a varied list of autographs, and a smaller set filled with stars and rookies is certainly appetizing, that alone cannot save 2016 Topps Chrome. One thing the hobby needs less of is duplicity, and with what is essentially a chrome finished base card with no change in design, Topps has unfortunately done little to give collectors a reason to chase this one down.
Peter Nash, known to many as Pete Nice from the legendary hip hop group 3rd Bass, posted on Twitter a copy of a letter he penned to Def Jam executives for payment to Negro League legend Ted “Double Duty” Radcliffe for his appearance on Nash’s 1994 solo album, “Dust to Dust.” The track, “Double Duty Got Di**ed,” which featured Radcliffe dropping knowledge on the segregated league over a funky drum break, put some hip hop flavor behind the ruminations of one of baseball’s greatest storytellers.
Nash, whose love for baseball and collecting memorabilia extends well before the advent of his 3rd Bass days, found it only natural to involve this chapter of baseball history in his music. Speaking with Nash recently via telephone, we discussed the origins of the Double Duty track, which was spawned from an attempt to include a song about Hall of Famer Cool Papa Bell on their 3rd Bass album.
“It was almost like I had two songs,” Nash said. “I changed the song to ‘Cool Papa Got Di**ed Down.’ I had the idea I was going to do a Negro League song. I pitched it to [MC] Serch and he was interested.
“We both wanted to do this song and then we got through the second album and the concept didn’t make it; then we broke up. Ultramagnetic MCs came out with their Negro League song (The Saga of Dandy, The Devil, and Day), so I was like they already did it. Back then it was competition; you didn’t want to bite. They beat us to it. That was in 1993.”
The ensuing break up of 3rd Bass allowed Nash to revisit the idea of paying homage to the Negro Leagues on his solo album. He linked up with Richard Berg, who was the President of the Negro Leagues Players Association, an organization created to help the living Negro League alumni have proper financial dealings as the league experienced a resurgence of public interest and popularity.
“I contacted Richard Berg to get in touch with him about getting in and recording something with [Radcliffe],” he said. “Richard Berg said that it was going to be really tough because [Radcliffe] was so old and not really traveling a lot. He said, ‘Hey, I have all these interviews I did with him and other guys.’ He gave me the master tapes and I listened to it and I pulled right off there. You couldn’t get any better than that!”
Double Duty Radcliffe Signed Photo / National Pastime Museum
Nash still had to wrestle with the idea of how to differentiate his effort from that of the Ultramagnetic MCs. During that era, anything considered copying or being labeled with the tag of “biting” was the genre’s curse of death. After listening to Berg’s tapes, Nash’s vision became much clearer.
“Going into my solo album, I thought how I could do this in a totally separate manner,” he said. “That’s how I came up with the whole spoken word idea. That’s how it changed to Double Duty when I got the vocals from Richard. I was looking at a lot of different players, but his was the best. You can’t beat Double Duty.”
Nash’s preservation of the letter requesting Double Duty’s payment is an important link to the Negro Leagues and the hip hop community. Nash recalled Double Duty initially balking at the amount of money involved because of Nash’s ethnicity, but when all things were settled, both sides walked away with a smile.
“When it came down to actually paying him, the record company was willing to pay $500 or $1000 out of the budget,” he said. “They were really just licensing part of this interview that Richard did. Double Duty said something like, ‘Who’s this white boy doing this?’ He said he wanted more money because I white. He said a whole bunch of dismissive stuff. I didn’t really care; I was glad that he was getting some money. He was happy that it was useful and he liked the song too.”
The ability to access Berg’s master tapes was as close as Nash could get to having Radcliffe in the studio. In some ways, it was a blessing for Nash to be able to keep Radcliffe from the studio, as he felt the nonagenarian’s penchant for chasing women would have kept him from ever reaching the recording booth.
“It would have been cool to have him in the studio, but he would have been trying to pick up every woman that he saw on the way,” he said.
On September 1st, 1971, Pittsburgh Pirates manager Danny Murtaugh made history when he fielded the first all-Black lineup Major League Baseball had ever seen. Starting at shortstop was Jackie Hernandez, a Cuban native who was in his seventh big league season.
Jackie Hernandez / 1972 Topps
Earlier this summer, Hernandez discussed highlights from his professional career at the SABR 46 conference in Miami. One of his most memorable moments was his inclusion in the ground-breaking lineup.
“To play in the all-Negro lineup, that was great for me,” Hernandez said. “I will never forget that. I never think that will happen again, a whole lineup of Blacks and Latins. That goes with me for life.”
